This family ( Normal & Italic in both variants : plain and outlined, so 4 files in the folder ) was created inspired from an engraved plate from the Diderot & Dalembert's Encyclopedia (publication beginning in 1751), illustrating the chapter devoted to the letters engraving technics. The plate bears two engravers names : "Aubin" (may be one of the four St Aubin brothers ?) and "Benard" ( which name is present bellow all plates of the Encyclopedia printed in Geneva ). It seems to be a transitional type, but different from Fournier ("1786 GLC Fournier") or Grandjean. Small caps are included in all styles.

https://creativemarket.com/GLC/1113488-1751-GLC-Copperplate-OTF

https://www.myfonts.com/fonts/rmu/garamond-antiqua-pro/

A font classic as a RMU redesign - a small yet mighty family with a West and Central European character set plus Cyrillic. All three styles include small caps and oldstyle figures.

https://www.youworkforthem.com/font/T1196/garamond-no-4/

Garamond No 4 is a classic and elegant serif font, designed by Herbert Thannhaeuser in 1955. Garamond No 4 contains West, East, Turkish, Baltic, Romanian language support.

https://www.myfonts.com/fonts/urw/garamond-no-2/

Garamond No 2 is a classic and elegant serif font, originally designed by Claude Garamond in 1927. Garamond No 2 contains West, East, Turkish, Baltic, Romanian language support.

TTF | 7 Fonts | + JPG Preview

http://www.myfonts.com/fonts/adobe/garamond-premier/

Garamond Premier Pro had its genesis in 1988, when Adobe senior type designer Robert Slimbach visited the Plantin-Moretus Museum in Antwerp, Belgium, to study its collection of Claude Garamond’s metal punches and type designs. Garamond, a French punchcutter, produced a refined array of book types in the mid-1500s that combined an unprecedented degree of balance and elegance, and stand as a pinnacle of beauty and practicality in typefounding. While fine-tuning Adobe Garamond, which was released in 1989, as a useful design suited to modern publishing, Slimbach started planning an entirely new interpretation of Garamond’s designs based on the large range of unique sizes he had seen at the Plantin-Moretus and on the comparable italics cut by Robert Granjon, Garamond’s contemporary. By modeling Garamond Premier Pro on these hand-cut type sizes, Slimbach retained the varied optical size characteristics and freshness of the original designs while creating a practical 21st-century type family. Garamond Premier Pro contains an extensive glyph complement, including central European, Cyrillic, and Greek characters and is offered in five weights ranging from light to bold.

OTF | 34 Fonts | JPG Preview | 6.7 Mb RAR